YVONNE GILBERT Sound Designer

Spoken word, Podcasts and Audio drama

King James Bible podcast cover

King James Bible

A full reading of the King James Bible, recorded, edited and sound designed by Yvonne Gilbert, produced for the National Theatre.

Sound Design & Editing: Yvonne Gilbert

Listen on Apple Podcasts

Odds and Sods Podcast

Recreate this exact waveform shape: five distinct word clusters visible as separate bursts of sound, each with irregular organic peaks and valleys, with gaps of silence between them — exactly like a DAW audio waveform display. The waveform should be horizontal, centred on a flat baseline, with the clusters mirrored above and below the centre line. Colour scheme: dark warm sepia/charcoal background (#1A1A1A or very dark brown), with the waveform itself in warm amber/golden sepia tones (#C9A84C or burnt sienna). The overall feel should be analogue, warm, and cinematic — like a vintage audio recording. Landscape orientation, wide format.

Food Glorious Food! – Pie & Mash

Episode 1 — Hosts Lil Warren and Susie Warren discuss the great British classic: pie and mash.

Edited by Yvonne Gilbert

Recreate this exact waveform shape: five distinct word clusters visible as separate bursts of sound, each with irregular organic peaks and valleys, with gaps of silence between them — exactly like a DAW audio waveform display. The waveform should be horizontal, centred on a flat baseline, with the clusters mirrored above and below the centre line. Colour scheme: dark warm sepia/charcoal background (#1A1A1A or very dark brown), with the waveform itself in warm amber/golden sepia tones (#C9A84C or burnt sienna). The overall feel should be analogue, warm, and cinematic — like a vintage audio recording. Landscape orientation, wide format.

Lil Warren and Katy Baker

An episode of the Odds and Sods Podcast.

Edited by Yvonne Gilberte

Recreate this exact waveform shape: five distinct word clusters visible as separate bursts of sound, each with irregular organic peaks and valleys, with gaps of silence between them — exactly like a DAW audio waveform display. The waveform should be horizontal, centred on a flat baseline, with the clusters mirrored above and below the centre line. Colour scheme: dark warm sepia/charcoal background (#1A1A1A or very dark brown), with the waveform itself in warm amber/golden sepia tones (#C9A84C or burnt sienna). The overall feel should be analogue, warm, and cinematic — like a vintage audio recording. Landscape orientation, wide format.

Lil Warren and Lindsey Hood

An episode of the Odds and Sods Podcast.

Edited by Yvonne Gilbert

Undercurrents – A River of Fancies

A River of Fancies

A virtual audio walk along the River Lea, created for Revolution Arts’ Undercurrents project.

Sound Design & Editing: Yvonne Gilbert

Queen of the Blues podcast cover

Queen of the Blues

An audio documentary recorded during lockdown, capturing voices from peoples’ homes, edited and produced by Yvonne Gilbert.

Sound Design & Editing: Yvonne Gilbert

Hound of the Baskervilles podcast cover

Hound of the Baskervilles

An episode of the Odds and Sods Podcast.

Edited by Yvonne Gilbert

Soundscapes

Little Manfred production photo

Little Manfred

A Soldiers’ Arts Academy production. Composed for the choreography of the building and sinking of the Bismarck — a piece that tracks the ship’s fate through sound.

The building of the Bismarck

Hairy production photo

A production with Polka Theatre and Spy Monkey, this track was composed for the audience’s arrival — immersing children in the sensation of entering a living, breathing human body computer hybrid.

Hairy

Preshow

Anatomy of a Suicide production photo

Anatomy of a Suicide

Composed for a scene of psychological breakdown, this track uses layered sound design to reflect the character’s unravelling.

Sc 2-3

The Last Ones production photo

Music composed between acts, built to echo the dying of the Russian empire — its twisting metallic textures mirroring both the cold industrial set and the warping fates of the characters within the play.

The Last Ones

Act 1-2

Act 3-4